FROM_ORION
2021
STAINLESS STEEL
12 X 6 X 5 FT (3.6 X 1.8 X 1.5 M)
In simple terms, from_orion is a scientifically accurate three dimensional map of the star constellation Orion.
At first glance, FROM_ORION may look like a giant dart fell from the sky or a meteor crash sent metallic streaks radiating outward. But upon closer examination, it has a complex structure of rods and plates. The plates connect to form an image from ancient Greek mythology; the constellation Orion. Meanwhile, each rod’s width, length, and direction corresponds to that star’s brightness, distance, and position relative to earth.
People have been looking up at the stars for millennia, attaching stories to our observations to explain and attribute meaning to our own existence. By shifting our usual earth-centric perspective to the view from a distant planet, FROM_ORION is an invitation to think about the humanity we share on a tiny planet in the vast chaos of the cosmos.
For rental or purchase, contact me!
August 2023 to August 2024
Port of Dubuque Riverwalk, Dubuque, Iowa
The Riverwalk along the Mississippi River, Dubuque, Iowa, August 2023-2024
FROM_ORION Wins Best of Show!
It was quite an honor to be recognized among so many talented artists and artisans. I am grateful for the opportunity to showcase my work in such a beautiful, welcoming city, and this award was a nice capstone for the hard work and dedication it took to get it there.
October 2021 to August 2023
Marquette Park, Chicago, Illinois
… SOME BACKGROUND …
A concept I like comes from the book “Contact” by Carl Sagan.
In the book, an extraterrestrial radio pulse is detected, and upon closer and closer inspection it unfolds layers of increasingly complex information. Though the layers of information in FROM_ORION are not the build plans for interstellar travel like in Sagan’s book, each component holds meaning.
From a distance, FROM_ORION may look like a giant dart fell from the sky or a meteor crash sent metallic streaks radiating outward.
Upon closer examination, there is a sphere ‘cut’ out of the center.
Looking up into the empty sphere reveals an image from ancient Greek mythology: Orion, The Hunter.
And looking down reveals the mirror image of the same.
Each pipe’s width, length, and direction corresponds to that star’s brightness, distance, and position relative to earth.
A three dimensional map of the constellation Orion!
Early concept renderings…
Early concept rendering - 15ft (4.6m) tall.
Above: explorable 3d model
Evolution of the idea: A different exploration using ‘plates’ instead of stainless steel tubes.
Earlier iteration using a domed “firmament”, mimicking our view from earth
Early version: Side view
Want to know the inspiration? See my newsletter from 2021
Above: Wavehenge gracing the cover of The Key West Citizen, September 19th, 2020
Calculating the new locations for the Benches in order to have the shadows align in the new southern latitude.
Truman Waterfront Park, Key West, Florida
September 12, 2020 to Present
13 x 45 x 34 ft (4.0 x 13.7 x 10.3 m)
Created as a commission from the New York City Department of Parks & Recreation and the Art Students League of New York's Model to Monument fellowship program for large-scale public art.
Wavehenge’s new permanent home is in Key West Florida, near Mile Zero of U.S. Highway 1 and marking the beginning of the Florida Keys Sculpture Trail.
Many thanks go out to everyone who worked to make this a reality. Special thanks to philanthropist John Padget and the late Jacob Dekker for their gracious funding and enthusiastic support, Elizabeth Young and the Florida Keys Council of the Arts, Tom Tacik and the Art Students League of New York.
Description:
The sundial consists of a vertical cresting wave surrounded by benches that match the shape of the shadow as it moves across each day.
The benches were designed like floating ‘rafts’, bobbing in the wake of a cresting wave. And their shape holds a secret…
On each solstice and equinox, the shadow and benches align.
But doesn’t the shadow move throughout the day? Yes!
So on a solstice or equinox, what TIME will it align? When the time equals the date!
The shadow on the 4 different days at the 4 different times set the original northern latitude of Riverside Park North, New York, NY.
The shadow will land exactly on the outline of one ‘raft’ when the hour and minute of the day matches the month and day of the year.
For example, the Winter Solstice occurs on December 21st, or 12/21, so the shadow will align perfectly with the ‘raft’ that is due north at 12:21pm on 12/21.
The dates and times are (clockwise from left):
Autumn Equinox = 09/22 @ 09:22am
Winter Solstice = 12/21 @12:21pm
Spring Equinox = 03/20 @ 03:20pm
Summer Solstice = 06/20 @ 06:20pm
How does one arrive at such a design? RESEARCH!
Sculptural Sun Dial Shadow Study #1
3D simulations showing the shadow’s movement on the solstices and equinoxes. Surprising results!
Sculptural Sun Dial Shadow Study #2
4 3D sun simulations using one specific time of day as the seasons vary.
All 4 times were then overlaid just for visual effect.
the nuts and bolts…
The dates and times shift due to our 365 ¼ day solar years, so the dates are calculated from the average over a 100 year span:
Spring Equinox = Mar 20 2:28am EST (Mar 20 7:28 UT)
Summer Solstice = Jun 20 7:44pm EST (Jun 21 0:44 UT)
Autumn Equinox = Sep 22 11:47am EST (Sep 22 16:47 UT)
Winter Solstice = Dec 21 8:53am EST (Dec 21 13:53 UT)
Well that’s magical…
These dates are also the cardinal points for the astrological zodiac, with the sun in zero degrees...
Aries on the Spring Equinox
Cancer on the Summer Solstice
Libra on the Autumn Equinox
Capricorn on the Winter Solstice
Source: https://greenwichmeantime.com/timepiece/clock-astro/
Riverside Park North, New York, New York
May 22, 2019 to September 10, 2020
13 x 60 x 30 ft (4 x 18 x 9 m)
A commission from the New York City Department of Parks & Recreation and the Art Students League of New York's Model to Monument fellowship program for large-scale public art. This piece was designed in collaboration with Jeff Sundheim and fabricated at Brandywine Valley Fabricators and Green Hill Art Services.
My guiding principle was to make it interactive - something that works with the space to enhance the environment. Something that people will appreciate. A unique place to sit by the river and take in the view.
- Damon Hamm, 2016
Description:
Most people’s first view of this stretch of Riverside Park North is from 70 feet above as they near the stairs leading down from the elevated park above. Another noticeable thing about this site is the lack of seating, shade, or places to congregate; all important considerations for a public piece of art.
The unique aerial viewpoint served as inspiration for developing the concept. The sundial consists of a vertical cresting wave surrounded by benches that match the shape of the shadow as it moves across each day. And from 70 feet up, the vision of a clock-face starts to emerge.
The benches were designed like floating ‘rafts’, bobbing in the wake of a cresting wave. And their shape holds a secret…
On each solstice and equinox, the shadow and benches align.
But doesn’t the shadow move throughout the day? Yes!
So on a solstice or equinox, what TIME will it align? When the time equals the date!
The shadow on the 4 different days at the 4 different times.
The shadow will land exactly on the outline of one ‘raft’ when the hour and minute of the day matches the month and day of the year.
For example, the Winter Solstice occurs on December 21st, or 12/21, so the shadow will align perfectly with the ‘raft’ that is due north at 12:21pm on 12/21.
The dates and times are (clockwise from left):
Autumn Equinox = 09/22 @ 09:22am
Winter Solstice = 12/21 @12:21pm
Spring Equinox = 03/20 @ 03:20pm
Summer Solstice = 06/21 @ 06:21pm
How does one arrive at such a design? RESEARCH!
Sculptural Sun Dial Shadow Study #1
3D simulations showing the shadow’s movement on the solstices and equinoxes. Surprising results!
Sculptural Sun Dial Shadow Study #2
4 3D sun simulations using one specific time of day as the seasons vary.
All 4 times were then overlaid just for visual effect.
Early concept models of the sculptural sundial seating.
Worried that the nearby 70 foot-tall Riverbank Park building would cast ITS OWN SHADOW over our sculpture below, this simulation shows where in the park the sculpture could go, or more importantly, could not go.
the nuts and bolts…
The dates and times shift due to our 365 ¼ day solar years, so the dates are calculated from the average over a 100 year span:
Spring Equinox = Mar 20 2:28am EST (Mar 20 7:28 UT)
Summer Solstice = Jun 20 7:44pm EST (Jun 21 0:44 UT)
Autumn Equinox = Sep 22 11:47am EST (Sep 22 16:47 UT)
Winter Solstice = Dec 21 8:53am EST (Dec 21 13:53 UT)
Well that’s magical…
These dates are also the cardinal points for the astrological zodiac, with the sun in zero degrees...
Aries on the Spring Equinox
Cancer on the Summer Solstice
Libra on the Autumn Equinox
Capricorn on the Winter Solstice
Source: https://greenwichmeantime.com/timepiece/clock-astro/
Idea Evolution:
One of Jeff's early 'line gestures' that inspired me to focus on working in the horizontal plane through shadow. Sculpture: Jeff Sundheim, Photo: Damon Hamm.
The New York Parks Department had decided that the theme this year was "Wave". Each artist then embarked on designing individual expressions and interpretations of what 'wave' means to them - waves of immigration, waving hello, cyclic nature, harnessing the wind, etc.
Halfway through the year the Art Students League Model to Monument program director Greg Wyatt decided to have the artists attempt to merge their 6 separate sculptures into 3 two-person team collaborations. Needless to say, not a trivial ask. In fact, 3 of the 7 artists were unable to meet the challenge and dropped out of the program - a first in M2M history.
My assigned design partner, Jeff Sundheim, had been exploring spiral line gestures, and seeing no way to merge my many previous iterations, my inspiration came from noticing the shadows that one of Jeff's sculptures cast onto the table.
Isolating the shadow effect really brought out some interesting forms.
Note: All images, video, and 3D renderings shown are of my own creation and are my contribution to the collaboration, except where noted.
An early exploration of the ground elements using a mobile phone flashlight to simulate the arc of the sun. Upright portion: Jeff Sundheim, Shadow rings, photo: Damon Hamm
Upright Wave
Knowing that any horizontal shadows would be dependent upon the final upright wave's form, I created the following 'wave' explorations as design inspirations for Jeff to add his spin.
An early exploration of the upright portion. Sculpture, photo: Damon Hamm
The final upright design I created including the spiral motif that Jeff had been working with. Sculpture, photo: Damon Hamm
Scale model showing my version of the upright wave with early 'shadow 'bench' placement sketches to show the concept.
Scale model showing another of version of the upright wave created in collaboration with Jeff Sundheim.
A later scale model with bench forms and the upright wave form evolved by Jeff. Benches: Damon Hamm, Upright wave, photo: Jef Sundheim.
My layout calculations for fabrication.
The view people would see entering the site. Viewers enter from 70 feet above, through the nearby park situated on top of a water treatment plant. Background image courtesy of Google Maps.
Shadow Benches in progress, from left to right: Winter Solstice, Summer Solstice, and Spring Equinox (completed). The teak looks better than expected and I can't wait to see the wood and Corten steel once weathered in a year or so.
